Showing posts with label 1970. Show all posts
Showing posts with label 1970. Show all posts

Saturday, April 13, 2013

Kermit The Frog*



Peace Frog lyrics were Morrison's own, culled from unpublished poetry/verse entitled "Abortion Stories"
There's blood in the streets, it's up to my ankles
She came
Blood in the streets, it's up to my knee
She came
Blood in the street, the town of Chicago
She came
Blood on the rise, it's following me
Just about the break of day
She came and then she drove away
Sunlight in her hair
She came
Blood in the streets runs a river of sadness
She came
Blood in the streets it's up to my thigh
She came
Yeah the river of red down the legs of the city
She came
The women cryin' red rivers of weepin'
She came in town and then she drove away
Sunlight in her hair
Indians scattered on dawn's highway bleeding
Ghosts crowd the young child's fragile eggshell mind 
Blood in the streets in the town of New Haven
Blood stains the roofs and the palm trees of Venice
Blood in my love in the terrible summer
Bloody red sun of fantastic L.A. 
Blood screams the brain** as they chop off her fingers
Blood will be born in the birth of a nation
Blood is the rose of mysterious union
There's blood in the streets, it's up to my ankles
Blood in the streets, it's up to my knee
Blood in the streets, the town of Chicago
Blood on the rise, it's following me
I linked the YouTube version of Peace Frog that also includes Blue Sunday because on the vinyl edition of Morrison Hotel they ran smoothly together. The latter song is a love ballad juxtaposed with the horror of Peace Frog.
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**pain?

Sunday, February 17, 2013

Samba Per Voi

Deborah linked an older Santana instrumental song called Samba pa' ti (Samba for you):


This was originally from their second vinyl LP called Abraxas (1970), but Carlos Santana carried it forward through the years, reincarnating the song, as the word Abraxas might have hinted at the time.

Tuesday, January 1, 2013

Who Knows?

Happy New Year, first of all!

Anniversaries mark the same place in the annular solar cycle. It's very ouroboros. Marking a new year is no less artificial and arbitrary than noting what makes a month a month or that "digital" is based on ten fingers. What's arbitrary is that that we chose January 1st instead of say March 1st.

 

43 years ago today, Jimi Hendrix played a series of shows at NYC's Fillmore East Theater in a power trio called the "Band of Gypsys." They hadn't performed together in public and this was sort of their unveiling. Note how Bill Graham introduced them: "...some old friends with a brand new name...a Band of Gypsys."

The Band of Gypsys more or less was just this set of showspublicly at least. They were to play together just once morelater that month at the Garden where Jimi famously "lost it."  After that, he broke with Buddy Miles and reassembled the Experience but kept his old friend Billy Cox on bass.  They recorded a spring and summer of intense performances, but by September it was overforever.

The call and response between Jimi and Buddy Miles in "Who Knows" is strikingly spiritualimagine him doing that with Mitch Mitchellnot.  Though it was already an established technique in American Blues with even deeper roots, it appeared anew and struck the same chord.

One more thing strikes me in that video: the way Hendrix flashes a brief smile through what must have been a painful time (1 min 9 sec). It's as if he realized the sheer joy of performing or perhaps he caught sight of an admirer.  Elvis flashed a smile like that a few months before he too passed away: link
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Here is 30 minutes of the same show: link The version of "Machine Gun" in that show is the definitive one.

Tuesday, December 11, 2012

The Downside Of Trade Unionism

Walter Reuther (1907-1970)
My dad belonged to a union--albeit a very weak one--The International Typographical Union. Printing technology undermined the ITU.  But he (and we) no doubt enjoyed bargained-for benefits.  I have fond memories of the annual summer "Company Picnic" at Hoyt Park in Madison, which his union partially sponsored.

The history of American unionization is pretty bloody--like the rest of world history. Walter "The Redhead" Reuther started growing Detroit's UAW beginning around 1934 until his death in 1970. For a readable account of him, see William Manchester's "The Glory And The Dream" beginning on p. 388. Men like Reuther were fighting for living standards and basic equity back then. They played offense and they mostly won.

Private sector unions like the UAW grew first and the public sector unions--always lagging in growth--followed. Decisions like Wisconsin's to allow public sector unions to collectively bargain led the way in 1959.

I'm old enough to be grounded by memories of the days when public sector workers were not the best paid workers on the block--we called them "State Workers" in Madison--but they gained steadily. Teachers, professors, clericals, even janitors.

When trade unionism in the private sector began to ebb, it exposed inequalities enjoyed by State employees. Here in California, state employees built a cozy relationship with the California State government which may have peaked but has not subsided. It's not really the fault of individual state employees that they enjoy benefits away and above others--it's a collective thing.

We saw a violent defensive play in Michigan today.  Gone are the days of playing offense in a growing economy. The general public--if they get the facts--will not sympathize like they did in the 1930's. It's just the wrong time of the life cycle.

Sunday, November 4, 2012

Indian Summer

Then God commanded November to brighten the sky and to mitigate the air for the entire duration of Martin's travel. And since God does not rescind his orders, the first days of November are always cheered by a warm sun. We call this season Indian Summer. Link
If one is not inclined to the sacred, there is always the profane redeemed:

According to Robby Krieger, "Indian Summer" was the very first song The Doors ever recorded, in 1966. The version everyone knows was released in 1970 on Morrison Hotel.

Monday, May 21, 2012

Fairies Wear Boots (1970)


Guitarist Tony Iommi spends most of the time hiding behind Ozzie Osbourne in this vintage video. Beginning at the 3m 54s mark, you get a brief glimpse of his famous finger prostheses; Iommi lost some fingertips on his right hand while working in a sheet metal shop at age 17. Despite the injuries, and inspired by Django Reinhardt, Iommi went on to commercial success with Black Sabbath. He was recently diagnosed with lymphoma. I'm going to read his autobiography, Iron Man.

Tuesday, August 23, 2011

Power To Love (Power Of Soul)

Singing through his fingers perfectly describes Jimi Hendrix when he said "I want to do with my guitar what Little Richard does with his voice."  My favorite example is from Band of Gypsys recorded live at the Fillmore East. There's a song on that album called Power to Love. Here's a YouTube video of the whole song:


Four different versions of that song were recorded that New Year's Eve/Day at the Fillmore (there were four shows), but the 3rd one appeared on the 1970 LP and is the best version IMHO. The others lack the opening solo which reminds me of the opening scene in Orson Welles's Touch of Evil:


The camera work in Touch of Evil is a three minute long single take--an uninterrupted point of view that takes us from ground level to hanging aerial shots and back to ground level. Watch it again and compare it with the one minute Hendrix solo at the beginning of Power To Love. I think that Hendrix was striving for a similar "elevation" with his opening guitar solo because it perfectly sets up the otherwise inane lyrics in the body of the song:
Shoot down some of those airplanes you been ridin'...'specially the ones that are flyin' too low...
...Shoot down some of those airplanes...'specially the ones that are flyin' too low
Come on back up to earth my friend, come on back up with me
We've all been up through the night time baby now let's read the rays of reality
With the power of soul anything is possible...
...With the power of soul anything is possible.
What do those words mean?  What do these words mean?:
Playing too much with one toy baby "tends to lead into the fog"?
It's so groovy to fool around sometimes -- even a jelly fish will tell you that
I said flotation is groovy and easy and even a jelly fish will agree to that.
Yeah, but old jelly fish been floatin' so long and so slack-lord he don't got a bone in his jelly back
Floatin' every day and every night, ridin' high, but there's a risk, sometimes the wind ain't right
I think these lyrics represent Hendrix' attempt to express his personal struggles with substance abuse at the time. A little less than a month after this show, the Band of Gypsys would play Madison Square Garden but Hendrix, severely impaired, ended the show after just two songs and the Band of Gypsys would never play live again.

As for singing through the fingers -- this comes later in the song when Hendrix uses "call and response" guitar riffing with Buddy Miles' singing, all while playing rhythm! When Jimi's actual voice suddenly appears to harmonize with his guitar voice, I get a spooky feeling that I've been listening to three voices instead of just two. I cued up this part of the song here.

The best part of the Band of Gypsys is the concert footage of these shows and songs. I couldn't find any to link to here, but I know it's out there.  It typically goes up and comes down very quickly.
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Bonus YouTube video: my favorite Jimi Hendrix at Woodstock: link Good close-ups of Hendrix's fingers as he drives a repetitive riff over and over using just modulation.

Friday, March 25, 2011

Letters Home: "I finally made P.F.C."

Mar 25, 1953
Dear Mom Dad and all,
Its been another nice day. I finally made P.F.C. It took long enough. Ratings are just starting to come out good now. It shouldn’t take us long for Cpl. 
Nothing new is happening over here. I think I’ll take the top off of my jeep. I already got the doors off. 
I sure didn’t do much work today. Just changed oil in my jeep. 
I sure wished R. could take my job. He would have it made. How is he getting along with the draft board?
Love,
V. 
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R. was his younger brother. He was drafted and also served, even though hostilities ceased in Korea that summer.

Sunday, November 14, 2010

Hung Up on "Gallows Pole"


The Led Zeppelin song Gallows Pole foreshadowed the masterful (but overplayed) Stairway to Heaven which appeared on their next album. The song introduces each stringed instrument one-by-one, with an increasing tempo. I love how the mandolin chimes in near the beginning, sounding almost like a piano.  Gallows Pole also features a banjo, an unusual instrument in rock music.  You can hear it kick in with the drums here.

More about that drumming: John Bonham is really playing more than just a steady beat. Listen for example here, exactly when Plant sings "upon your face a smile"--his drumming mimics the cadence of Plant's words.

Of course Gallows Pole wasn't standard rock fare to begin with. There's a whole long history behind the song and Led Zeppelin were late to the party. link

50 Years Of MyTunes: 1970

Here are my favorite albums from the beginning of another great decade in music. At the time, I would have gone with Hendrix' Band of Gypsies as my favorite. Yes I was only 10, but I had positive exposure to the music of the time by an older brother and other older kids in the neighborhood.  A few short years later, when I started to play the drums, Led Zeppelin and The Who became favorites because I worshiped the playing styles of Keith Moon and John Bonham.

Led Zeppelin III ~ Led Zeppelin
Abraxis ~ Santana
Band of Gypsies ~ Band of Gypsies
Paranoid ~ Black Sabbath
Bridge Over Troubled Waters ~ Simon & Garfunkel
Cosmo's Factory ~ CCR
American Beauty ~ The Grateful Dead
Layla and Other Assorted Love Songs ~ Derek And The Dominos
Live At Leeds ~ The Who
Bitches Brew ~ Miles Davis
Morrison Hotel ~ The Doors
Moondance ~ Van Morrison

Notable singles that year:

Get Up (I Feel Like Being A) Sex Machine ~ James Brown
Lola ~ The Kinks <--- my pick
Mr Bojangles ~ NGDB (Jerry Jeff Walker song)
War ~ Edwin Starr
American Woman ~ The Guess Who
Ain't No Mountain High Enough ~ Diana Ross
ABC ~ Jackson 5
Spill the Wine ~ Eric Burdon and War
I'm Your Captain/Closer To Home ~ Grand Funk Railroad
Coal Miner's Daughter ~ Loretta Lynn

Saturday, September 18, 2010

Tuesday, August 24, 2010

Deconstructing Karleton Armstrong

Badger Ordnance, target of antiwar aerial bombers in 1969

In the film River's Edge, a former student radical-turned-middle-school-teacher bullies from his pulpit: "We stopped a war, man".   I've been rethinking a nostalgic post I wrote back here last spring about the Sterling Hall bombing in Madison. Not rethinking in the sense of changing my opinion, but rather deepening and wishing to augment what I wrote then. This was prompted by my reading up on the Kent State shootings.

Karleton Armstong, Sterling Hall bomber/ring-leader, has stated that the Kent State shootings were the catalyst which turned him violent later that summer: linkage Fellow bomber David Fine also stated:
Really, after Kent State [in May 1970], I think people's viewpoints really changed. They saw people shot and that sort of upped the ante, or so we thought. That was the real motivating factor.
I dissent from that opinion based on facts:  Kent State occurred in May of 1970, after Armstrong et al. had attempted to bomb Badger Ordnance from a Cessna aircraft on December 31, 1969.  It was that attempted bombing which gave the bunch their name, the New Year's Gang.

Can one argue that the attempted bombing of Badger Ordnance was somehow less violent-that accidental deaths would not have occurred?

It's reasonable that they were thinking that Badger would shut down that New Year's Eve and everybody would be home or out celebrating. But such a place was never empty-empty and someone like a night watchman could have died had their unexploded aerial bomb gone off.  Would Armstrong and Fine have reasoned that such a death was justified? Who knows.

Kent State was a horrific event which needlessly accelerated unrest. But but I'm still not buying Armstrong's motivational reasoning, based on chronological facts.

[added:  My brother reminded me the other day of a story my grandfather passed down through an uncle. My grandfather worked at Badger Ordnance in the 40s and 50s.  At the time there were strict no smoking rules defined according to area (they were handling mostly gunpowder).  Apparently, there was an explosion on site back in the early days, caused by a careless worker who had ignored the rules.  According to urban legend, all they ever found of him were his boots.]

Monday, February 15, 2010

The War At Home Through The Eyes Of A Child



This August is the 40th anniversary of the bombing at Sterling Hall in Madison. Sterling Hall houses the Physics Department at the University of Wisconsin (I had a year of physics there as part of my undergrad chemistry curriculum). The street shot linked above shows the stately western facade of the building. Around the back of the main building is an annex which houses laboratories, and until 1970, the Army Math Research Center.

Army Math was targeted by the bombers with a truck-load of fuel oil and fertilizer (the same concoction used 25 years later by the Oklahoma City Bombers). The bombers did over $2 M in structural damage, hurt 5, and killed one: Robert Fassnacht, a postdoctoral fellow working through the night on a physics experiment unrelated to the AMRC.

Some news reports said that the blast was heard up to 50 miles away. I was 10 at the time and we lived about 8 miles directly west in Middleton.  I don't remember the blast (it was the middle of the night) but I sure do remember the next day. I vividly remember the TV news reports that night on CBS and even recall that Walter Cronkite had a substitute that evening (Walt must have been vacationing). Oddly, this event was the first time that I fully realized that my insular little childhood world was part of a greater violent and news-hungry world.

The bombers terrorists dubbed themselves the New Year's Gang and were a small circle of students and local misfits. There is good background info at Wiki, and also here. The same bunch also tried to bomb Badger Ordnance using a stolen Cessna plane which took off from the Middleton airport. That bomb failed to explode and was found with fingerprints that ultimately connected back to the Sterling Hall bombers. Of the four Sterling Hall bombers, three were caught but one of them, Leo F. Burt, still remains at large.

Only much later did I appreciate what Fassnacht must have been doing there that night-I did similar things years later as chemistry researcher. Sometimes you just had to pull those all-nighters to get the data. But unlike me, Fassnacht was married with kids, which must have made it even worse. Science graduate students and families are typically poor, and are banking on the breadwinner landing a real paying job one day. It must have been just devastating for his family. I'm cheered to see that part of the community arose to help that young family back then the next day. But part of the community didn't react that way then and now I'm even wondering whether vestiges of that community still linger on.

Fast forward about ten years. In 1979, as a UW undergrad, I attended a premiere screening of The War At Home, an Oscar-nominated documentary which regales the anti-war movement in Madison. The screening was held at the Union Terrace Theater. The film "starred" ring-leader Karleton Armstrong and a number of Madison political luminaries, some of whom had morphed from local student radicals into a local mayoral administration. Some of them were even in attendance, whom I recognized because I was involved with a now defunct newspaper called the Madison Press Connection.

The film itself was mediocre (of course it had a great sound track-just like the 60's did) and it caught some critical flak right off the bat because the filmmakers had overdubbed the thudding sounds of police billy clubs hitting student bodies into some of the historical protest footage (you, know, so we'd feel their pain better).  At the time I was considerably more neutral politically and even more tolerant than I am now. But what struck me then (and what I'll never forget) is the closing or penultimate scene in the movie when the mug shots of the four perps are shown. The filmmakers had the audacity to interject a blacked-out photo frame instead of Burt's mugshot during this sequence as if to say: "we're covering for you man; we're not gonna give you up man." Worse, many in the audience erupted in cheers and applause at this gesture.

I'm not sure that Madison has ever had full closure with the events of almost 40 years ago, nor whether it is even possible. The same student newspaper that instigated the belief that Army Math was somehow complicit in war crimes still foments trouble. The Sterling Hall bombing is like a festering scab on Madison's history. Not until 2007 was there even a plaque or memorial commemorating the event, though the physical scars have long been evident (I found them as a student and would often contemplate them as I walked between buildings).

I await the events of this coming summer and whether somebody will step forward and claim more responsibility for the insanity of 40 years ago.