Showing posts with label Kinks. Show all posts
Showing posts with label Kinks. Show all posts

Friday, July 26, 2013

I Got A Postcard From London...

...It said "Happy Christmas in July"


Friday, August 20, 2010

A Satirical Song About A Satyrical Briton


For reasons still not completely clear, The Kinks were banned from touring the US as a band from about 1965 to 1969. It had something to do with fighting too much and a labor dispute.  Just imagine--4 years of not playing to sold out audiences in the US--all that unrealized concert revenue.  Regret much?

Kinks fans have used this enforced isolation to describe why the band turned inwards and wrote particularly scathing material about British society in the mid to late 1960s.  One of the songs, Dedicated Follower Of Fashion, was allegedly penned with Brian Jones in mind, though others have claimed the inspirational role. London was in full bloom in 1966 and it really doesn't matter who Ray Davies' Leopold Bloom really was.

Brian Jones, founding member of the (Rollin') Stones and charter member of the 27 Club, R.I.P.

Sunday, August 15, 2010

Three Accidents That Enriched The Guitar Driven Sound Of Rock n Roll:

1961: Dick Dale and Leo Fender invent the reverb surf guitar sound:
Leo Fender kept giving Dale amps and Dale kept blowing them up! Till one night Leo and his right hand man Freddy T. went down to the Rendezvous Ballroom on the Balboa Peninsula in Balboa, California and stood in the middle of four thousand screaming dancing Dick Dale fans and said to Freddy, I now know what Dick Dale is trying to tell me. Back to the drawing board. A special 85 watt output transformer was made that peaked 100 watts when Dale would pump up the volume of his amp, this transformer would create the sounds along with Dale's style of playing, the kind of sounds that Dale dreamed of. BUT! they now needed a speaker that would handle the power and not burn up from the volume that would come from Dale's guitar.
Leo, Freddy and Dale went to the James B. Lansing speaker company, and they explained that they wanted a fifteen inch speaker built to their specifications. That speaker would soon be known as the 15'' JBL -D130 speaker. It made the complete package for Dale to play through and was named the Single Showman Amp. When Dale plugged his Fender Stratocaster guitar into the new Showman Amp and speaker cabinet, Dale became the first creature on earth to jump from the volume scale of a modest quiet guitar player on a scale of 4 to blasting up through the volume scale to TEN! That is when Dale became the 'Father of Heavy Metal' as quoted from Guitar Player Magazine. Dale broke through the electronic barrier limitations of that era!
1964: Dave Davies of The Kinks invents grunge sound while recording "You Really Got Me":
The influential distortion sound of the guitar track was created after guitarist Dave Davies sliced the speaker cone of his guitar amplifier with a razor blade and poked it with a pin. The amplifier was affectionately called "little green," after the name of the amplifier made by the Elpico company, and purchased in Davies' neighbourhood music shop, slaved into a Vox AC-30. link
1965: Roger McGuinn accidently invents the "jingle-jangle" guitar sound of The Byrds:
While 'tracking' The Byrds' first single, 'Mr. Tambourine Man', at Columbia studios, McGuinn discovered an important component of his style. 'The 'Rick' [Rickenbacker guitar] by itself is kind of thuddy,' he notes. 'It doesn't ring. But if you add a compressor, you get that long sustain. To be honest, I found this by accident. The engineer, Ray Gerhardt, would run compressors on everything to protect his precious equipment from loud rock and roll. He compressed the heck out of my 12-string, and it sounded so great we decided to use two tube compressors [likely Teletronix LA-2As] in series, and then go directly into the board. That's how I got my 'jingle-jangle' tone. It's really squashed down, but it jumps out from the radio. With compression, I found I could hold a note for three or four seconds, and sound more like a wind instrument. Later, this led me to emulate John Coltrane's saxophone on 'Eight Miles High". Without compression, I couldn't have sustained the riff's first note.' link.
[added, a fourth]:
1966: Eric Clapton combines the Gibson Les Paul and the Marshall Amplifier: link

Tuesday, August 10, 2010

50 Years Of MyTunes: 1964 Got Kinda Kinky


The Beatles and the Beach Boys dominated the charts in 1964 and so everyone's favorite is likely to be one of their songs.  But notice other trends emerging in the list below including Motown & other British Invasion groups.  And there's Bob Dylan still caught up in his folk mode.  I voted Kinks for their enduring effect on the guitar-driven sound, but that may just be me.

You've Lost That Lovin' Feeling ~ The Righteous Brothers
My Girl ~ The Temptations
You Really Got Me ~ The Kinks
House Of The Rising Sun ~ The Animals
Where Did Our Love Go ~ Supremes
She's Not There ~ The Zombies
The Times They Are A'Changin' ~ Bob Dylan
Dancing In The Street ~ Martha & the Vandellas
Under The Boardwalk ~ The Drifters
Gloria ~ Them (Van Morrison)
Baby I Need Your Lovin' ~ Four Tops
Do Wah Diddy Diddy ~ Manfred Mann
Needles And Pins ~ The Searchers
Rag Doll ~ The Four Seasons
Baby Love ~ The Supremes
Chapel Of Love ~ Dixie Cups
Tell Her No ~ The Zombies
How Sweet It Is (To Be Loved By You) ~ Marvin Gaye
Leader Of The Pack ~ Shangri-Las
Come See About Me ~ Supremes
Time Is On My Side ~ Rolling Stones
The Little Old Lady (From Pasadena) ~ Jan & Dean
It's All Over Now ~ Rolling Stones
The "In" Crowd ~ Dobie Gray